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woodcarver's glossary

angle of approach
the angle between the carving piece and the carving tool.

back bent

it is a reversed gouge to carve into a hollow in an upside down position.

background
the area around the carving subject, usually grooved or sanded in relief carving

basswood
type of carving wood preferred by woodcarvers.

bent carving tools
has a curve or crank along their length. This allows them to get deeper into recesses without catching the wood around the edge and juddering. Always push the tool forwards to cut; never lever.

bevel
the wedge-like metal between the
cutting edge and the heel. There may be bevel on outside or the inside. Outer bevels should be shaped to the required angle, and stropped to a polish for cutting more easily through the wood. A correct cutting angle is important. Inner bevels are usually not found on gouges bought straight from the manufacturer, leading the inexperienced carver to think that this is normnal. However an inside bevel of even 5° has enormous benefits.


chisel
if the blade is flat with no curvature it is called a chisel or a firmer chisel. Carving chisels are ground differently from bench chisels used in cabinetmaking.

concave
cave is like the hollow - which this term describes

convex
rounded edges

cutting
there are many ways of manipulating and making cuts with carving tool.  Some common terms used by carvers:

running cut: a long cut with "V" tools, flutes or deep gouges; as in lining in or decorating the wood surface

slicing cut: the gouge is given a sideways movement as it is pushed forwards. This may involve simply 'drifting' to the side - sometimes called 'sliding' - or rotating the handle a little, or both. The cutting edge may be sliced to the left or the right and is particularly seen with flatter gouges and vital for dealing with instances of awkward grain.

sweep cut or sweeping cut: a slice cut with emphasis on rotating the gouge by the handle along the sweep. It is particularly seen in deeper gouges which can make full use of their perfectly shaped sweeps to set in clean outlines.

rocking or rocking cuts are just short sweep cuts. The principle way of carving wood. The handle is given a quick twist (rotated) as it is moved forward, slicing out chip. This is much cleaner cutting than simply pushing the tool along straight.

stop cut: a short stab cut which limits the extent to which wood fibers may tear.

stab cut: pushing the cutting edge straight in and out of the wood either for decorative purposes or as a stop cut.

cutting angle
the angle between the bevel and the surface of the wood - it can only be measured if both faces are flat. Find it by placing the carving tool on the bench; slide it forward as you raise the handle and the tool 'bites' the wood at the cutting angle. 15-20° is fine for the majority of medium density carving woods. Rounded bevels raise the cutting angle and so decrease tool control; and increase the size of the bevel 'wedge'.

cutting edge
the cutting edge is defined by two things: the width of the blade at the cutting edge and the shape of the cutting edge. The rule of thumb is that wider tools work faster. The shape or profile of the cutting edge is harder to describe. You can have a very sharp cutting edge but a carving tool cut poorly if the bevel is incorrectly shaped or at the wrong cutting angle.

detailing
the final stage when all the surface decoration is carved. A very common mistake is for beginners to put in details too early - when they end up in the wrong place and fix the carving too early. They do it because they are thinking 'surface' and feel safe with something 'caught'. However details are never the problem.

ears
sometimes the outside edges of the carving tool blade edge is called the ears.

ferrules
rings (often made from brass) to hold the carving tool metal in the handle of the tool.

finishing
may mean either 'finishing off' (detailed sanding if desired) or the act of coloring, sealing or waxing etc of the finished piece.

fishtails
these are gouges or chisels which splay suddenly at the cutting end from a long shank. Lightweight with an emphasis on the corners for finer finishing work. Easily overheated with grinding.

flute
a long deep channel with circular root. Fluting is the arranging of such flutes in rows.

front back
a pronounced curve at the cutting edge going one way.


gouges

the most common carving tools are gouges - chisels with some sort of curvature to them. Gouges come in a vast variety of curvature, from nearly straight to a very tight arc. This is in addition to the overall width of the tool. You can have, for example, a 12mm gouge of a very shallow arc or a different 12mm gouge with a very pronounced arc. The term for defining these arcs is called "sweep" and the sweeps range from #1 which is a straight chisel to #11 which is almost a semi-circle of the diameter of the width.

heel
the ridge where bevel meets blade proper. Smooth it over so to make sure it burnishes the wood after the cutting edge, and not scratch it.

high relief
a loose term, as is low relief, without a numerical value: the background in such carving is relatively deep compared with the width of the subject. It would be fair to say a background depth of about a quarter of the subject's width is high relief. As high relief gets deeper so the subject approaches full three dimensions.


incising

this is literally 'cutting': any surface carving with gouge, "V" tool etc. If a carving is only incised, it would not been grounded out.

long bent

have a gentle curve going the length of the steel shank
, for shallow recesses.

low relief
a shallow, but arbitrary, depth of carving. As with high relief it is not so much the actual physical depth of the background as the relationship of this depth to the subject. A background at say a thirtieth of the subject width would definitely be low relief.

outlining

a good alternative word to lining in, although 'the outline' is usually taken to be the principle one surrounding the whole subject, with a background, whereas lining in can refer to separating any subject from its ground.

over cut
carving past the carving pattern lines.

parting tool

alternative name for a "V" tool and which points to a key V tool function: of separating one part from another.
toe: the area 30-40
° from the bottom of the chisel.

leading edge: the leading part of the blade in the wood.

relief carving
somewhere between painting and sculpture, with the depth dimension diminished and subjects usually related to a virtual, original, surface plane and set against a background plane. see low and high relief carving.

safe lines
always draw a
1/8 inch (3mm) to 1/4 inch (6 mm) safe line around your subject to avoid carving into it.

shape
this is sometimes used as an alternative to form. Shaping term as an aspect of form, to mean the configuration of an edge or area, how the surface of the three dimensional object appears. so shape is something more two dimensional even if actually moving through space

shank
the varying length or square metal between the shoulder (or handle if no shoulder present) and the blade of a carving tool.

skew chisel
if the blade is flat and cut at an angle to the tool it is called a skew chisel
.

step back
cutting against the contour line at a 45° angle and then moving back from it in increments of 1/8 inch (3mm) to 1/4 inch (6 mm).

shoulder
a flange which prevents the carving tool from being driven into the handle and splitting it proper. Also called 'bolster' or 'stop'.

short bent
tools that have a long shank with a (to a greater or lesser degree) tight crank at the blade, for getting in deeper hollows

straight gouge


spoon chisel left corner

spoon chisel right corner

spoon gouge back bent

sweep

degree of curve, the higher the "# of sweep" then the more curvature there is. Numbering may differ from one manufacturer to an other.


undercutting
this is also known as backing off, cutting an edge or form horizon from behind to increase the sense of thinness or relief.

v tool

this is a very important tool in the carver's kit consisting of two chisels meeting at an angle of 60° (most common), 90° or 45°. The line along which they meet is known as the keel. Used in particular for lining in and creating decorative grooves. Also known as a parting tool. "V" tool can be straight or bent.

wall
the side plane of a subject, having depth and to which a ground junction is made. It may also have a surface edge. the term may also describe the side walls of an incised letter


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